Tuesday, February 22, 2011

An individual stealing a song is heinous, but at least it's out in the "open". Companies steal, too, and hide behind contracts.


Legitimate businesses make agreements with other legitimate business which the artist can not undo in a timely fashion or without a good deal of pleading and letter writing. I'm in a tangle now with Amazon.com trying to remove content that was placed there by a company with which whose ties I have since broken. That company is still making money off my work on Amazon. I have sent notices of copyright infringement, but I have yet to hear back from Amazon.


So, just don't fear the individual thief, but also be wary of the business who claims that they are helping you achieve your goals - it ALL comes at a price. Believe me, no business really cares about you as an artist; you are simply a profit center. You will get congratulated on how much cash you pull in and be told that it's because your work has merit. That may be true, but when they say merit, they mean financial merit. They can point to other artists that they are "helping" who have not made money, and claim that they are for the "indie artist", but don't think you will get additional help to achieve the goals of those that pull in cash.


There are many, many companies out there, all willing for you to upload your content so that you can digitally distribute your music. And the majority of them have nice legal agreements that say you keep copyright control of your music, and that part is true. And those contracts also say that they have the right to distribute your music to other businesses for the reason of promotion - to get your music out there to be heard because it deserves to be heard. Just don't confuse copyright ownership with control of distribution.


The reality is that these companies need content to exist - any content. And if they don't have to pay for it the better. These companies are looking to make money through advertisement or investments by other companies. If your content does that for them them they'll give you a piece. But they will also sell you down the "river" - or stream, if you prefer - for other businesses to use your content in exchange for other services. Remember, you authorized them to do this on your behalf.


Distribution through iTunes and other large houses is accomplished through "middle men" like TuneCore for a fee - iTunes do not take submissions directly from the artist. A drawback is that your content will be like a drop in the ocean, and it will continually cost you to keep your content there for distribution. You can also distribute your music through other venues for a percentage of sales. But the drawback here is that these companies stay afloat by making deals with your content.


So, is digital distribution worth the effort and risk? What alternatives does one have?


Personally, I have decided on two main courses of action. One, for distribution and sales I use ONLY Reverb Nation. Mind you I do not believe they are more trustworthy than any other company. The mechanics of the web site seem geared more toward the promotion of the artist, rather than the promotion of the music. This may appear to be counter-productive, but not when you consider the reasons why people like what they like. We listen to all kinds of music and it's usually because we appreciate what the artist represents. If an artist wants to consider longevity then that artist should cultivate fans who will listen and buy over a long period of time.


My second course of action is to create and promote my own entity on the web that performs the same actions as any other distribution business, cutting out the "middle man". This way any business wanting to use my music for promotion must deal with me first. The drawback here is one of limited visibility. I need to promote myself as if my promotional budget wasn't limited. I need to be as slick "looking" as everyone else, which isn't easy. But, the alternative allows for my content to be bought and sold without any regard for my interests.


I'm Charlie Pecot, and these are my thoughts.

Sunday, February 20, 2011

"Blow-Up" (1966)

Just watched this British film "Blow-Up" from 1966. There's a club scene where the band playing is The Yardbirds, from when both Page and Beck were in the band. They're playing "Train Kept a Rolling". Beck's amp gets a short and he winds up destroying his guitar. The movie is worth watching just for that.



The more I sit and think about the movie - reading reviews, and such - the more I think what a great film it was. I had read that the plot was similar to "Blow Out" and was expecting things to play out the same way. However, this is one of them there "deep" movies. I'd watch it again, now that I know what it's really about. And to see the Yardbirds scene again.

Sunday, February 6, 2011

Be Careful on the Internet

You have to be careful on the internet with the companies and websites you work with. One of the ones I had selling my tracks was a feeder for other sites, and once those processes get set into motion it's a difficult thing to get your stuff removed without a team of lawyers. This one company created compilation CDs under a "DJ"s name. While it was on the primary site I was getting a cut. But that compilation got distributed to Amazon and is still being sold under that DJs name. The profits are being shared between Amazon and the primary vendor, but I'm not getting my cut after discontinuing my affiliation with the primary website.

That's why I ask that you buy Falik only from my store at Reverb Nation.

Saturday, February 5, 2011

Songs that Endured

Here are some songs from the Billboard Top 100 of 1961 that I can still hum a bit of:



01. Tossin' And Turnin' » Bobby Lewis
02. 
I Fall To Pieces » Patsy Cline
04. 
Cryin' » Roy Orbison
05. 
Runaway » Del Shannon
14. 
Dedicated To The One I Love » The Shirelles
16. 
(Will You Love Me) Tomorrow » Shirelles
18. 
Where The Boys Are » Connie Francis
19. 
Hit The Road Jack » Ray Charles
22. 
Bristol Stomp » Dovells
23. 
Travelin' Man » Ricky Nelson
24. 
Shop Around » Miracles
33. 
Calendar Girl » Neil Sedaka
34. 
I Like It Like That » Chris Kenner
39. 
Little Sister » Elvis Presley
40. 
Blue Moon » Marcels
41. 
Daddy's Home » Shep & The Limelites
46. 
Runaround Sue » Dion
53. 
Ya Ya » Lee Dorsey
58. 
The Way You Look Tonight » Lettermen
63. 
Stand By Me » Ben E. King
64. 
Spanish Harlem » Ben E. King
76. 
Angel Baby » Rosie & The Originals
77. 
Pretty Little Angel Eyes » Curtis Lee
79. 
Does Your Chewing Gum Lose Its Flavor (On The Bedpost Overnight) » Lonnie Donegan
81. 
Mama Said » Shirelles
94. 
Let's Twist Again » Chubby Checker
95. 
Take Five » Dave Brubeck
96. 
Are You Lonesome Tonight » Elvis Presley
99. 
You Must Have Been A Beautiful Baby » Bobby Darin
That's about a third of them.